[vc_row][vc_column][vc_column_text]I am aware that I may walk into trouble with this post. I am still going to write it, though. I mightn’t say what I want very well, but I’m going to try.

It’s NAIDOC week (yep – I know. Here comes the trouble…) and I want to add my voice to many others talking about it. I am not Aboriginal, or a Torres Strait Islander. I am white – very white. But I teach a lot of Aboriginal kids, and work with Aboriginal Education Officers. I am inspired by Aboriginal musicians and dancers I meet in schools. I try to learn from them, and respect what I learn. I think you could say that I know a little bit about Aboriginal culture, and realise I only know a little bit (better than knowing a little bit and thinking you know a lot).

I do know a lot about teaching music, though, and the power of it.

I have had a version of ‘Advance Australia Fair’ written for me by a Sydney musician and elder. I love that he’s done this, and taught me the words, and allowed me to hand on this song to others. There’s a fabulous backing track that has been made. And, respectfully, I have taught this song to a number of kids now. The teaching children part of this process has been a doddle. They love it. They love to sing in any different language – but for many kids, especially if they are Aboriginal (or from the Torres Strait), this is especially significant. They swell with pride. I am not exaggerating one bit – I see it. Their chests fill, and they raise their heads, and they own this version of the song. And then they sing it outside the music room – to their reading teacher, or their friends, or their relatives.

It’s all the other stuff that has been really hard. One teacher (who is white) told me she wouldn’t sing this ‘monkey language’ (I was gobsmacked. I am not often speechless. This floored me.). Another teacher (who is Aboriginal) told me what I was doing was tokenistic, and wrong. I’ve been called an interfering white #$%@. I’ve been told that it’s the ‘wrong’ language. And then I see white children and non-white children singing this song together, and keep coming back to that.

Here’s my point I’m trying to make…. Isn’t the preservation of any Aboriginal language worth doing? Isn’t giving Aboriginal kids (who sometimes don’t have much to be proud about) something to be proud about a good thing? Isn’t singing together important? Isn’t sharing culture a way to bridge gaps between people?

I’m not an expert on reconciliation. I’m certainly not an expert on Aboriginal and Torres Strait music or culture. But I do see a change in children as they sing this song. They are proud. And happy. And love to sing it. All children. I understand that I, as a whitey, need to be culturally sensitive. And I am trying my very best. And I know I won’t please everyone. But I wish these people who are very quick to criticise could see the pride that I see in these singing children. Because, for me, that’s what is most important.

Thank you to Matt, for giving me the words to teach.[/vc_column_text][/vc_column][/vc_row]

[vc_row][vc_column][vc_column_text]ADHD is the ‘thing’ these days, it seems. I know a number of children who truly have it. They describe to me that letters and words swim in front of their eyes and they can’t read sentences. That noises like people breathing are really loud and it distracts them. They speak truthfully and beautifully and it breaks my heart. Most of these kids are really clever, and a little bit off-the-wall. They are challenging in the classroom – but I like having them there, and I like them. Some children I see have medication. And it makes a big difference to them. Don’t get me wrong here, I am not advocating medicating children for everything – but sometimes it really works. And then children can focus and learn.

And the there are some other kids who tell me they have ADHD. I had one little boy like this in a drum circle the other day. He was fidgety, and distracted and pretty challenging. I chose to ignore most of it – as long as he wasn’t distracting anyone else, I’d continue with the lesson. But at one point he crossed that line. He wanted to turn his drum to one side (squashing the person to his left) and play with his hand up the drum stem so he could feel the vibrations. It’s fun to do it like that – but it wasn’t what I’d asked the class to do.

I looked at him, stopped my instructions to the class and said, simply, ‘NO.’

‘No. You may not do that.’

There was silence. He looked completely shocked. And put his drum on the floor. Someone in the circle giggled nervously.

He picked up his drum and joined in, still looking shocked.

I had no more trouble.

It got me thinking – when was he last told ‘no’? In fact, when was I last told ‘no’. I can’t have what I want? I can’t buy that coffee, or jumper? I can’t do what I want right now? What would happen if various business people were told simply ‘no’. No – you can’t have this today. Because I am over-worked, and want to leave at a reasonable hour today. You can have it next week – but not right now. Would it make workplaces better?

You know, I think it would.[/vc_column_text][/vc_column][/vc_row]

[vc_row][vc_column][vc_column_text]I am weary right now, typing this. I have had two HUGE days to start the week. But even though I am weary, I am hugely pleased. Let me tell you what I’ve been up to….

I teach in two Sydney Catholic Schools. The principal of school A moved to school B at the start of the year, and invited me to start a music program at school B. Year 6 at both schools djembe drum. So it was agreed that all the students would get together (at school B) for a drumming workshop. We had a big enough space. But getting (and storing) all those drums were hard – I needed 60. Both schools have 20 – but I needed another stash. So a complicated system that involved removing drums from school C (no longer used), storing at my local yoga studio (a HUGE thank you to the gang there!) and then carting said drum stash back-and-forth was hatched. (If I never move another bloody djembe again I won’t be sorry….)

I have never taught 60 drummers before. 35 yes, but 60 no. But do you know, it’s actually not much louder. I have to bellow a bit to be heard. And I had all the kids sitting in a circle, so I had to talk-and-spin as I delivered instructions. But it was really fun. And most importantly, the kids LOVED it. They loved the noise. The sense of being. All kinds of friendships were struck up. And by the end of it, we had a piece ready to perform. It was a fabulous day. That was Monday.

On Tuesday, I was at a different school. We were visited by the founder of the ACMF (the charity I work for), Don Spencer, and 8 visiting Chinese businessmen, looking to support Don and his work. This visit involved me teaching five of Don’s songs to the large senior choir (over 100 kids) so we could perform together, and then coming up with a music lesson for all of year 6 (nearly 40 kids) that we could share with the visitors (so they’d sit and join in). Again, it was a huge amount of work (not just for me – also the school – getting permission slips for filming (did I mention the two cameras?) and jiggling around the timetable) – but again, the kids LOVED it. Actually, not just the kids – but also the visitors. A few times I stepped away from myself, and managed to look at what was going on. People singing, or playing, or passing claves to the beat. Grown-ups and children. Lots of different coloured skin. Los of academic abilities. Shy people. ‘Out there’ people. And all smiling together.

Music is a great leveller. It’s a great friend-builder. It’s a great way to have a huge amount of (legal) fun. God knows the world could do with a bit more of that at the moment.[/vc_column_text][/vc_column][/vc_row]

[vc_row][vc_column][vc_column_text]Because I’m regularly in four schools, I see a lot of teachers. I talk to more than I see. And not just primary teachers, but high school teachers, support teachers, yoga teachers, instrumental teachers, uni lecturers – my life is full of people who teach.

Before I go on, let me say how much I admire these people. Well, most of them. I see loads of really good teachers – and I appreciate them. Most of them go above and beyond. They love their job, and do it with all their heart. They are passionate about giving what they know to others, and opening doors of learning. Nearly all of them aren’t paid enough.

I was talking to a teacher in a school last week that I like a lot. We were talking about how he sees his class in music, and the steps that kids are taking. “You know what makes a good teacher, Rach?” he says. “Connection. It doesn’t matter what you are teaching – if the child feels a connection to you, you can teach them nearly anything.”

I’ve been thinking about this – and you know, he’s right. Substitute his ‘child’ for the more generic ‘student’, and I think he’s hit the nail on the head. How do you get that connection? I think learning names of the people you teach is really important (some others don’t – but I do. I practise names all the time – I look at class photos, read newsletters from schools and test myself. I work at it. I’ve been told I’d be a good card counter…). Laughing is another thing I use to make connections. I clown around. I use not-so-normal-for-a-teacher language. I poke fun at myself. Other teacher do it other ways.

I was thinking about the teachers I’ve loved. And all of them I thought I ‘knew’. And that they ‘knew’ me. Maybe they did. Maybe they didn’t. Doesn’t matter – the important thing here is I thought they did. I also thought they liked me. The best teachers I see have their students thinking they are all liked. Loved, even. And then students will accept criticism. And allow you to take them out of their comfort zone. And grow. And that is teaching. Well, I think so….[/vc_column_text][/vc_column][/vc_row]

[vc_row][vc_column][vc_column_text]I’ve had a few great moments teaching over the last few weeks.

One I wrote about on Facebook getting a group of difficult kids to kazoo instead of sing. They are too cool to sing. In fact, they told me they HATE singing. But they kazooed over and over. It was excellent.

I gave different group of kids different kazoos, and watched one little girl who is generally really passive in music class (shy? can’t work out if I am friend of foe? haven’t worked her out yet….) absolutely kill herself with laughter as the rest of her class kazooed a children’s song. Thigh-slapping, red-faced guffawing. It was excellent.

I had another group of children perform ‘Advance Australia Fair’ in a combination of Dharug, Dharawal and English to their school principal yesterday. They sang so very proudly. As far as I’m concerned, this is the way our National Anthem should be sung, until we get another one. First in the local Indigenous language, and then in English. I watched these children stand like a professional group of singers and just let rip. It was excellent.

But best of all was probably a lesson I taught to a grown-up student. I don’t have many of these (as in grown-up students), and I like teaching them a lot. I was feeling inspired after a series of yoga classes. I realise that I’m taught at yoga with no judgement (everyone judges. All the time. I’m not writing about judgement again. I’ve been accused of it a number of times (judging – not writing about it). And I do judge. But mostly me. Did I teach the best I could do today? Did I play as beautifully as I could just then?). Sorry. I digress. Back to teaching with no judgement. I’m asked in yoga to experience. But not judge. So I tried it in a cello lesson. I don’t think you could do this with children. At least not little ones. I asked this student to play. And then listen. What was wrong? Not good, or bad, but just inaccurate. How was it inaccurate? (Not what did they do to make it inaccurate – see the difference here? It’s quite liberating!) And I watched this student really enjoy themselves.

It was strange for me, as a teacher. I was fairly passive. I felt a little bit like I was directing a river, but not interrupting the flow of it. It was great for me to experience. I’ll probably do it again. Not all the time, mind, as I didn’t impart much actual nuts-and-bolts knowledge, but it was a great process.

So today I’ve judged my teaching.

I’ve judged music-making.

I think everyone should do it all the time. In a non-judging, kazooing, proud sort of way.[/vc_column_text][/vc_column][/vc_row]